Carnatic music as a tool for social change: “Chennai Poromboke Paadal”

Happy New Year all! I’ve been quite busy with college in the last few months, which is why I haven’t been posting as much lately. However, I did want to share this incredible video with you all.

“Chennai Poromboke Paadal” is another boundary-pushing project featuring Carnatic vocalist T.M. Krishna, who has been working tirelessly in the past few years to break down the elitist culture of Indian classical music (I’ve written about him in many previous posts). It was directed by Rathindran Prasad, who rose to fame with his “Kodaikanal Won’t” rap video starring Sofia Ashraf, and also involved journalist and activist Nityanand Jayaram and songwriter Kaber Vasuki. This video highlights the environmental impact of unrestricted urban development in Chennai, through a Carnatic composition in the colloquial dialect of Chennai Tamil.

Krishna has often asked “why is Carnatic music only in Sanskrit or chaste Tamil or chaste Telugu, and why is it talking about only [Hindu gods], when it could be talking about anything?”

“It’s very easy to say that Carnatic music should have different subjects and be in different dialects. It’s only when you do it that you realise if it works or not. The greatest thing the project has gifted me is that it has shown me such an experiment is possible and has opened incredible doors for me and for so many others.”

I’ll be honest: it’s a little unsettling to hear phrases like “concrete kattadam” (concrete buildings) sung in Anandabhairavi raga, but it’s also a really exciting feeling. I truly hope to see more projects like this; utilizing the rich aesthetic framework of this elite art form, but redirecting its lyrical focus to promote social change and introspection. This is the beginning of a new janma for Carnatic music.

Read more here, and watch the video below: